The instrumental tradition of
music playing in Ireland has been sustained over the generations for the most
part by musicians who have seldom attained national celebrity status. The few exceptions have included the likes of
Michael Coleman, Leo Rowsome, Johnny O’Leary and from the present Matt Molloy
and Tommy Peoples.
While the established singing
tradition blossomed following the British folk revival, instrumental musicians
never quite stepped into the limelight in the same way as did the Clancy
brothers and the many groups and singers who emerged after them. Traditional instrumentalists did record and
continue to do so but never apparently managed to hold the public’s interest in
a music scene dominated by songsters and balladeers. Fiddle players, concertina players and
whistle players tend to make up the greater part of the recorded instrumental
music available today. The tin whistle
is undoubtedly the most popular instrument in traditional music today and
although felt by many to be a beginners instrument, in the hands of a master
musician it can lend itself to creating a exquisite sound.
Athy based musician Brian Hughes
provides a fine example of what can be achieved on the tin whistle on his
latest CD ‘The Beat of the Breath’ which is being launched in Athy Arts Centre
on the 3rd of May at 8.00 p.m.
This is Brian’s third solo recording with a total of fourteen tunes
ranging from reels, slip jigs, hornpipes, polkas, marches, slides and my own
favourite slow airs. Drawing on sources
as diverse as Breathnach’s ‘Folk Music and Dance in Ireland’ and O’Neill’s ‘Dance
Music of Ireland’, the young musician offers a veritable tour of Irish music
both ancient and modern.
I was particularly impressed with
the two slow airs, one of which was an early version of the air ‘Tàimse Im
Chodladh’, found in a 1710 Scottish manuscript where it was described as an
Irish tune. As an asling, which is a
poetic form associated with the Jacobite period of Irish history, the composer
exhorts the listener to fight for Ireland against its enemy. Brian dedicated his playing of this beautiful
air which he learned from the Cùil Aodha sean nòs singer Iarla O’Lionaird, to
the memory of the young Athy guitar player and singer Martin Conroy who died
last year. Brian played with the late
Martin on a CD recorded by another Athy musician Niamh Nì Dhèa in 2012.
The second slow air which I found
appealing was Brian’s version of ‘Slàn le Màigh’, a song composed in 1738 by a
little known Co. Limerick poet who lived in Croom. His was a song of exile in which the poet
laments having to leave Croom after the local Parish Priest banished him on
account of his somewhat decadent lifestyle.
‘The Beat of the Breath’ is a
wonderful addition to Irish instrumental music and Brian Hughes throughout
gives a virtuoso performance. His work
adds to the now well established work of Irish traditional musicians stretching
back to Michael Coleman, Paddy Killoran and others whose work continue to have
a profound influence on Irish traditional music.
In this recording Brian is accompanied
by Donnchadh Gough, bodhràn player of the Waterford group Danù and by Sean
McElwain on bouzouki and guitar of the band Tèada.
The launch of ‘The Beat of the
Breath’ takes place on Friday next 3rd May at 8.00p.m. in Athy Arts
Centre. Brian and his friends will be
providing music on the night and I’m told refreshments will be available. A good night is promised so do come along and
support one of Ireland’s finest musicians.
Community support of another kind
was evident during the last two weeks or so as Athy witnessed the passing of so
many of its townspeople. Death has cut
an extraordinarily wide swath through the town with the passing of Mrs. Conway,
Joe Phillips, Mrs. McNulty, Joe Delahunt, Christy Byrne, Billy Tierney, Patsy
Kelly, Mrs. Norton and Anthony O’Sullivan.
Friends and neighbours came out in numbers to follow the corteges as
they wound their way to Church and each final resting place. I am mindful of the fact that I shared a
classroom with Christy Byrne in the local Christian Brothers national school
and recall with sadness the number of former classmates who have died over the
years. Mrs. Conway reached the
extraordinary age of 104 years and to her family and to the families of all who
died in recent weeks we extend our sympathies.