Last week I
attended my first ever wedding in New York,
the City aptly called the “Great Apple” by Jazz Musicians of another
era. If the city setting for the wedding
was unique in so far as I was concerned, it was a uniqueness further magnified
when the wedding party gathered under the open sky at the highest point in Fort
Tyron Park in upper Manhattan. The Park
occupies a portion of the site of the revolutionary battlefield of Washington
Heights and features a varied landscape which takes full advantage of a
spectacular setting overlooking the Hudson river. Nearby is the world famous Cloisters now part
of the Metropolitan Museum of Art which was built in the years immediately
before the Second World War in the style of a French Romanesque Abbey.
Gathered atop the
tree festooned knoll as the bride and bridegroom took their wedding vows was a
happy mixture of Irish and American folk, many of them musicians who has
travelled to New York for the occasion. Athy man, Tommy English was marrying
his partner Karla and traditional Irish music was the link which brought so
many together to celebrate with bodhran player Tommy.
The evening
before, many had joined in an entertaining music session in Paddy Reilly’s on
29th Street and Second Avenue where American and Irish exponents of
traditional Irish music came together in a happy fusion of talents. Fiddle
players Tony deMarco, Dana Lynn, Lisa Gudkil, and Marie Kelly showed quite an
enormous aptitude for the Irish style of playing. The fact that one was Chinese and the others
American presented no difficulty as they joined Irish born musicians Killian
Vallalley, Tony Daveran, Harry Wilder and Seamus McEneaney, to name but a few,
in a session of reels and jigs of dazzling variation. DeMarco who like Tommy English is a regular
player at Thursday night sessions in Reilly’s is regarded as one of the most
competent exponents of the Sligo style of fiddle playing which was popularised
by the legendary Michael Coleman.
Another man who graced the session with his musical and vocal talents
was Athy man Dave Donoghue whom I had only previously heard on his recently
issued CD. It was a most enjoyable
session and even as the traffic careered down Second Avenue just a few yards
away, it was easy to feel transported back to the Irish countryside and to a
time when traditional music was an important part of Irish life.
While I was in New
York, I took the opportunity of visiting a few places, some of which, but not
all, have connections with this country. One such place was the Church of St.
Mary the Virgin on 46th Street near to Broadway. The Church founded in 1868 is part of the
Episcopialian Church and as such a member of the world wide Anglican Communion
of Churches. You can imagine my surprise
when viewing this fine church which in layman’s terms is a “protestant church”
to find that it mirrored in every way what you would expect to find in the
average Catholic Parish Church. Stations
of the Cross adorned the walls of the side aisles on either side of confession
boxes. This must have been the “highest”
of high churches I have ever seen and given the closeness of its date of
foundation to the Oxford movement in England, it prompted questions for which,
unfortunately, I wasn’t able to get answers.
A visit to another
church, this time near the bottom of Manhattan also left me with many
unanswered questions. I was anxious to
visit John Street Methodist Church founded in 1766 by Irish emigrants under the
leadership of Philip Embury and his first cousin Barbara Heck. Both were “Irish Palatines”, so called as
descendants of refugees from religious prosecution in Germany who came to
Ireland in 1709. The Palatines were
converted to Methodism by John Wesley in the 1750’s and when Philip Embury
emigrated to America in 1760, he helped to establish the first Methodist
Society on the American continent. In
this Embury was following up the work of George Whitefield, an eloquent
preacher who has made several earlier visits to America. Unfortunately, I was not able to gain
admission to the church which is the third church on the site but the well
proportioned Georgian building with a brownstone facade provided a welcome
change to the surrounding sky scrapers.
Just a few streets away, I came across the oldest surviving church
in Manhattan, indeed, it is the oldest
public building in continuous use on the island of Manhattan. St. Paul’s Church was opened in 1766 and is
similar in style but smaller than St.-Martin-in the- Fields on Trafalgar Square
in London. The graveyard surrounding the
church was used by all denominations and many of the gravestones marked the
last resting place of Irish emigrants.
They were obviously persons of means or influence, for no gravestones
mark the now unidentified graves of the thousands of poor Irish emigrants who
died in New York in the 19th Century. My eye was caught by the gravestones of an
Irish couple who died within months of each other. John Cumings described as a “native of
Ireland” died on the 3rd August 1814 aged 39 years and his
gravestone reads
“Weep not for me my children dear
“Weep not for me my children dear
I
am not dead but sleeping here
My debt is paid on this your fee
prepare for death and follow me”
The adjoining
gravestone marks the grave of his wife who died the same year as her husband on
the 30th December aged 29 years. Possibly the same muse was moved to
mark her passing with the following lines
“Afflictions for long I have bore
Physicians were in vain
Till God was pleased to give me ease
And free me from my pain”
Another gravestone
marked the passing of the children of Catherine Moore, Ann who died the 26th July 1786
aged 15 days and Mary who died the 1st June 1787 aged 2 years, nine
months and eleven days. Several more
graves of those described as “A native of Ireland” were observed while to the
front of the church facing Fulton Street were two significant memorials on
either side of the Church portico. The
thirty foot high obelisk on the left hand side of the doorway
commemorates Thomas Addis Emmet, brother of Robert Emmet who following the 1798
Rebellion was obliged to leave for America where he died on the 14th
November 1827. The erection of the
monument in 1832 was financed by subscriptions collected throughout the United
States and on the front of the obelisk facing the street is a medallion
likeness of Emmet in bas-relief. One of
the principal organisers of the tribute to Emmet was Dr. William MacNevin, a
County Galway born United Irishman who was inducted into that organisation by
Lord Edward Fitzgerald, a one time member of Parliament for Athy. Like Thomas Addis Emmit, McNevin left for
America and he is commemorated by the second large memorial which frames the
portico of St. Paul’s Church. I noticed
that the front of the Emmet memorial was badly marked as a result of what I
concluded was gunfire of some considerable age.
I wondered was the reason for this but presumably it was linked with
some now long forgotten anti Irish sentiment.
New York’s
Cathedral of St. John the Divine is quite an extraordinary and unusual building
which remains as yet unfinished even though work on it first commenced over 106
years ago. It is a huge building, second
only to St. Peter’s in Rome and large enough for the Statute of Liberty to fit
comfortably under its central dome. As
the seat of the Bishop of the Episcopal
Diocese of New York, the Cathedral is something of a religious institution in a
country where everything is reputably bigger and better than anywhere else in
the world. If you ever get an
opportunity to visit New York, travel up to 112th Street and see
what must me one of the most extraordinary Church sites you will ever see.
And where may you
ask was the Athy connection. I found it
in the person of the Assistant Librarian of the American Irish Historical
Society on 5th Avenue whom I had the privilege of meeting and
interviewing. The lady in question comes
not from Athy but from nearby Ballylinan.Her story is for another day. In the meantime, there is nothing left for me
but to extend good wishes to Athy man Tom English and to his new wife Karla.
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