For the second week in succession I have had to put off the article
I had intended to write about the Carbery family of St. Patrick’s Avenue. The passing of two men of my acquaintance,
one in relatively old age, the other at the far end of the age spectrum, both
dying within 12 hours of each other, prompts the article this week.
Declan Wall was just 33 years of age when he died in tragic
circumstances shortly after returning from the Circuit Court in Naas where he
had shared some time with my son Seamus.
Indeed both had lunch together that same day and Seamus returned to the
office in the late afternoon, little realising the awful tragedy that would
later overtake his companion.
Declan was a young barrister whose advocacy skill and commanding
Court presence marked him out as a rising star amongst his colleagues on the
Eastern circuit. His early years at the
Bar, like those of his bewigged junior colleagues were spent building up
contacts, amassing knowledge and know-how, all in preparation for a legal
career which held out much promise for the future. It was not to be and Declan’s death caused
great sorrow amongst his colleagues and friends. Our sympathies go to his wife Fiona, his
mother and the Wall family.
Within hours of Declan’s death I heard the not unexpected news that
my good friend Paddy Eaton had passed away.
Paddy had been unwell for some time but yet when I last visited him,
only a week or so ago, he was bearing up well and was as cheerful as ever. I knew Paddy ever since he returned to his
hometown of Athy after many years in Birmingham. A master painter, who like his father before
him acquired and the skill and good taste of a craftsman, Paddy took pride in
his work.
Verschoyles old house in Ardreigh was perhaps one of the last place
to benefit from his craft work. I know
he took great pleasure in restoring the doors and woodwork of that old house
which had suffered greatly after years of subletting and apartment living. The internal walls of the house built for
Samuel Haughton, the Quaker miller of Ardreigh Mills, immediately after the
Great Famine were also to benefit from Paddy’s attention to detail. Almost 20 years after he had devoted so much
time and skill to re-decorating Ardreigh House his workmanship is still as fresh
and appealing as it was two decades ago.
Paddy was the second generation of the Eaton family to take up the
painting trade. His father Martin worked
for Newcombe Empey Sign and Ornamental Painter and Gilder of Leinster Street
and Paddy who was born in 1934 began his apprenticeship with the same firm in
1948. He was just 14 years of age and
earned 7 shillings and 6 pence per week which is the modern equivalent of 37½
cent. Despite his youth it was his
second job, Paddy having spent the previous year working in Tom McHughs foundry
in Janeville Lane. The youngster of 13
years of age had started working in the foundry when his father fell ill and
Paddy as the oldest in the family took on the responsibility of earning a wage
to help his parents and siblings through what were very difficult times.
Paddy talked to me some years ago of his time working for Tom McHugh
and mentioned the names of some of his fellow workers such as Mannix Thompson,
Frankie Aldridge, Des Donaldson and Robbie Lynch of Shrewleen Lane. Tom McHugh was one of two brothers who
operated foundries in Athy – the other foundry being based in Meeting
Lane. Paddy described Tom as the ‘best floor moulder’ in the country who
worked the sandboxes with an artistry which belied his down-to-earth appearance,
tracing intimate designs in the red sand which came from Dan Neill’s field on
the Carlow Road.
Working in the Foundry at such a young age was contrary to the law
relating to school attendance but in the harsh economic climate of the post War
years, the local Garda Sergeant, who happened to be my own father, took a benign
attitude to the youngsters school absence.
At 14 years of age Paddy was free to take up an apprenticeship with
Newcombe Empey and for four years served his time, the latter part of which was
as an ‘improver’.
The economic difficulties currently facing the country will no doubt
disimprove before they get better and those of us not acquainted with the economic
stagnation and the unemployment of the 1950s will come to appreciate what young
men like Paddy Eaton faced during those dark days. The emigrants boat held out the only hope for
many at a time when jobs were scarce and where those lucky to be in employment
earned little more than enough to keep body and soul together. Paddy Eaton was one of the many hundreds men
and women who had no alternative but to leave their hometown in search of work
in the 1950s. Sally Oak, Birmingham
would in time be home to Paddy and many more of Irish descent who found work in
car manufacturing and in the huge engineering works of that city. Having trained as a painter Paddy continued
to work at this craft, even while employed full time in a Birmingham
factory. Working on his own account at
the weekends added long hours to the working week and Paddy continued to do
this for many years until a heart attack prompted him to cut back on his work
schedule.
He returned to Ireland and to Athy following his early retirement
and it was then that I first got to know Paddy.
The craft skills acquired almost 50 years previously were never to leave
him. His training in mixing paints, in
the preparation of surfaces for painting and in the other detail which marked
him out as a craftsman required a patience and an attention to detail which
suited his temperament. A courteous
even-tempered man, he enjoyed most of all his pint and ruefully admitted to
over indulging on some occasions.
However, Paddy was always courteous, always pleasant and ever good
natured. The hard times he had experienced
as a youngster of 13 years working in the adult world were never allowed to
colour his attitude to those he met. He
was immeasurably proud of his son Patrick and his daughter Shirley who in
recent years returned to live and work in Birmingham City where they were
born. He is survived by his wife Mary,
his two children and two grandchildren.
Ar dhéis Dé go raibh a nanamacha.
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