Traditional Music in Clancys and Death of Seamus Byrne, Uilleann Piper

Just a day or two after a former classmate of mine died I called into the traditional Irish music session in Clancys. It was there I last saw Seamus Byrne playing the uilleann pipes, accompanying a host of other traditional musicians, including my late colleague Tos Quinn. My visit was a pilgrimage of sorts to recall and remember the wonderful musicians who like Seamus had graced the music room over the years. It was 56 years ago that Tony Byrne, a Donegal fiddle player from Glencolumcille, with Neddy Whelan from Barrowhouse and a young Seamus Byrne came together to play the first music session in Clancys. They were welcomed by the club’s proprietors Jim and Maureen Clancy and those early sessions were held in the small bar. Pub conversations and pub noise generally did not provide the most ideal background for the musicians at play which prompted Jim and Maureen to clear a storeroom for the exclusive use of the musicians. That room is still in use for the Thursday evening Irish traditional music sessions. I first wrote of the Clancy sessions approximately 25 years ago following a visit to hear the musicians, including Seamus Byrne and Tos Quinn who were continuing a piping tradition which stretched back through Willie Clancy and Leo Rowsome to the legendary County Kildare piper William Kelly. I also mentioned Tony Byrne who came from Donegal in 1954 as principal of Ballyadams primary school. With them that night was Neddy Whelan, then an elderly man, a notable banjo player who was then playing the thin whistle, accompanied by the banjo master extraordinaire Martin Cooney. Sad to think that on my visit last week so many of the musicians of 25 years ago are no longer with us. The sessions however continue having earned the right to be regarded as Ireland’s longest running weekly Irish traditional music session. The present-day importance of the Clancy sessions is surely confirmed by the wide representation from outlining towns as the musicians from Athy were joined on Thursday last by musicians from Carlow, Abbeyleix, Newbridge, Baltinglass and Ballymount. On Saturday morning 15 members of the Clancy sessions came together at the Parish Church in Ballylinan for the burial of their friend and fellow musician Seamus Byrne. The outstanding piper Joe Byrne led off with a beautiful rendition of ‘Tabhair Dom do Lámh’ accompanied by his colleagues. During the communion the uilleann pipers Conor O’Carroll and Joe Byrne, again accompanied by the other musicians, played Seamus Byrne’s favorite tune ‘For Ireland’s sake I won’t tell her name’ and as the coffin was taken from the church three jigs were played by Joe Byrne with a wonderful expression of the young piper’s skill. At the graveside the Clancy session musicians took leave of their fellow musician and friend Seamus Byrne by playing a set of Seamus’s favourite jigs. We were reminded by Fr. Shelly of Seamus Byrne’s love of Irish traditional piping and how he followed his father, also a piper, who had died when Seamus was just a few days old. Seamus’s first piping lessons were on his father’s uilleann pipes which were repaired by Leo Rowsome and it was the famous Dublin based piper Rowsome who initially taught Seamus. Tos Quinn and Seamus Byrne were for so long leading members of the Clancy sessions, and it was Seamus who for many years was the unofficial fear an tí. He called the tunes and whenever unknown musicians joined the sessions always made them welcome and invited them to play. Uilleann piping has seen a resurgence in recent years, due in large measure to the setting up of Na Piobairi Uilleann in 1968. Here in Athy we are privileged to have a number of uilleann pipers and amongst them two of exceptional ability. Brian Hughes has given us many wonderful recordings of his uilleann piping and whistle playing and most recently Joe Byrne has produced his first piping CD. Seamus Byrne and Tos Quinn, two very good uilleann pipers, with the recently deceased Roddy Geoghegan for so long members of the Clancy music session are no longer with us. The sessions are now attracting a wide range of instrument players and the places of Seamus and Tos have now passed to uilleann pipers Conor O’Carroll and Joe Byrne. This traditional music session, like other sessions around the country, displays a great variety of instruments and a degree of musical competency which is delightful to hear. The Clancy music sessions are very much a part of the cultural reawakening of a town which over its lifetime at different stages underwent economic and social decline. Music is at the heart of that cultural movement and the session players are not alone in helping to recapture the spirit of this age. I was reminded of this during the 12 o’clock mass on Sunday having listened to the parish choir which was in splendid voice, admirably led by Anne-Maria Heskin whose solo singing was quite superb. Athy is the centre of our lives and the contribution that Irish traditional musicians such as the late Seamus Byrne and other musicians and singers make to the enjoyment and betterment of our community life cannot be underestimated.