Thursday, January 30, 1997

Woodstock Castle and its stone carvings

A recent article in the Irish Times dealt with the history of the bagpipes and their usage and popularity in Ireland from the early medieval period to the present time. In the course of this reference was made to a carving of a man garbed in medieval dress playing the bagpipes. The columnist mistakenly described it as being in wood and from “Woodstock Castle, Co. Kilkenny”. The sculpture is however in stone and once formed part of the elaborate chimney piece which adorned the fireplace of the great hall on the first floor of Woodstock Castle, in this town, in the sixteenth century. Today all that remains of the fireplace in the castle is one or two simple, undecorated fragmentary remains high up in the internal wall face of the now roofless castle. Although the fireplace has long since disappeared, we can get some idea of its splendour as it originally appeared. Lord Walter Fitzgerald the renowned antiquarian and founder member of the Kildare Archaeological Society recorded these stones. One fragment would have formed the centre of the mantel consisting of a pair of opposed lions figures holding the Fitzgerald coat of arms while a similar piece has a pair of opposing angel-like figures either side of the Fitzgerald arms. It is likely that the carvings date to the late fifteenth/early sixteenth century. Of particular interest is the absence of the monkey traditionally found on the crest of the Fitzgerald family which is evident on another carved stone from Woodstock Castle which now rests in the south wall of Whites Castle. These various carvings were first recorded by an anonymous writer at the turn of the nineteenth century who noted that angel-like figures and the lions formed compartments of the cornice of the chimney piece. After this authors visit the carvings were removed to the Earl of Kildare’s residence at Carton.

The castle, like many in the Irish countryside, is remarkably absent from the historical record for large parts of its history, but considerable information may be garnered from the architecture of the castle and most particularly from its carved and decorated fragments. The Fitzgeralds occupied many castles in Kildare with their principal seat at Maynooth but the delicacy of the carved ornamentation from Woodstock Castle with its bold display of the family coat of arms is sufficient proof of the importance of the castle in Athy.

Castles by their very nature were dark and gloomy places which afforded title light or warmth to their residents and while the thick walls might provide a cool refuge from the heat of the summer sun, they were in the depths of winter often oppressively cold and damp dwellings.

The inhabitants might seek to alleviate such cold and discomfort by a variety of methods, principally thick and voluminous layers of clothing which found suitable accompaniment in large open fires. The fireplace, particularly in the throws of winter, formed a natural focal point in the principal rooms for the castle dwellers. It was thus not unnatural that considerable care and effort would be expended in the design and execution of such a feature. Naturally the visitor to the castle on entering the ‘great hall’ would immediately be drawn to the fire by his host and thus the visitors eye might fall upon the intricacies and subtleties of a large and well-decorated chimney piece. The style and nature of the carvings would indicate that they were executed in the period of the castles history when it was undergoing substantial alterations to its structure and form. In a sense the insertion of the large well-decorated chimney pieces might well be said to mark the evolution of the castle from a simple castle structure to the prototype of the later country house of the gentry. The small and narrow windows which since the 13th century had served to ventilate and light the castle were replaced by large gracious mullioned windows with sleek hood mouldings lighting the great hall on the first floor to an extent never possible before. Within these windows would have been set large window seats adding to the comfort of this the principal room of the castle. Woodstock of the many Fitzgerald castles was not alone in experiencing such additions. Maynooth Castle underwent substantial alterations in the sixteenth century, similar to those at Woodstock. These served to increase the comfort afforded by these buildings while at the same time reducing their defensive abilities by creating much large openings in the external walls. At Woodstock one concession to security was made by the addition of a defensive tower on the south face with narrow windows and gunports.

The only reference to building or repairs at the castle dates to 1536 when remedial work to the structure was necessitated by damage caused to doors, windows and battlements. A lease of the castle in 1560 stipulated that new lofts be constructed which may not have been done as another lease of the castle was granted to William Sheregolde in 1569. It is likely that all the finely carved stones from Woodstock Castle relate to the earlier residence of the Fitzgerald family and it is appropriate that these very same carvings were rescued from the ruins of Woodstock Castle by a member of the family that originally commissioned some unknown mason to create them many centuries ago. The stones to this day remain at Kilkea Castle, another ancestral home of the Fitzgerald family although the carving of the piper is now lost.

Thursday, January 23, 1997

Eamon Malone I.R.A. Commander and the Naming of Estates in Athy

"Three Volleys were fired by Members of the Old I.R.A. over the grave of Mr. Eamon Malone (45) late of Dunbrin, Athy after his burial in Barrowhouse Cemetery, Athy on Monday". The Nationalist Newspaper Report of his funeral is the only written account I have come across of the man who formed in Athy in 1917 a Branch of the Irish Volunteers. I have written previously in this series of Eamon Malone. Indeed, my article of the 7th January 1994 evoked an interesting response from a wide area, not least from a reader in Belfast whose allegiances were all too obvious. What prompts this further mention of a local man from our past whose courageous exploits are all but forgotten is a recent momentous decision by the local Urban District Council to call its latest Housing Scheme Malone Terrace. The honour falls to the houses in Woodstock Street directly opposite St. Martin's Terrace and occupying in part the site of the former thatched residence of successive Curates of the Parish of St. Michael's.

Eamon Malone died a relatively young man at his residence in Sutton, Co. Dublin and was survived by his Widow, two daughters and one son. His importance to the national struggle for Independence during the early part of this Century was readily recognised by his colleagues when he was put in charge of the I.R.A. Prisoners in Mountjoy during the Hunger strike of 1920. Married to Kathleen Dooley a sister of Mrs. Hester May and daughter of Mr. & Mrs. Michael Dooley of Duke Street, Athy, he was to spend some time in Mayo and Wicklow as a Republican Organiser following his release from Mountjoy.

I described the decision of the local Council as momentous because it is the first occasion that Athy has officially recognised any person connected with the struggle for Independence. The principal streets of our town are all named after members of the extended families of successive Duke's of Leinster. The old laneways, some no longer recognisable were generally named after the owners of the small houses which to be found there before the slum clearance programmes of the 1930's. Butler's Row, Connolly's Lane, Higginson's Lane, Kirwan's Lane, Kelly's Court and Porter's Row are but a few examples of the many Landlord names which were carried down to this Century.

It was the housing programmes of the local Council commenced in 1913 which gave the Town Father's their first opportunity to name and in some cases to re-name older parts of the Town. The names of Saints were especially favoured at a time when the affairs of Church and State seemed inextricably linked. St. Michael's Terrace an obvious reference to the Parish of the same name in which Athy is located and St. Martin's Terrace were two of the first names chosen by the local Council.

Pairc Bhride officially opened in the early 1950's continued the Saintly connection but with a difference. The Gaelic version was for the first and only time used in connection with an Athy place name. Around the same time, McDonnell Drive was named after the local Parish Priest, Archdeacon McDonnell whom I remember well. It was he who drove me out of his temporary Confession box by shaking his walking stick after I had forgot ten the words of the Act of Contrition. I could well be excused since I was about seven years of age at the time. The subsequent tearful journey home ended in joy when I was made aware of the arrival that morning of an American Parcel from a Cousin in New York who thoughtfully sent on much treasured goods and foodstuffs which in those post-war years were otherwise denied to those living in Ireland. I later served Mass for Canon McDonnell on the side-altar of St. Michael's, always keeping a careful eye on the infamous walking stick in case he felt a further assault on my person was warranted.

During the slum clearance programmes of 60 years ago, the Council embarked on an extensive building programme which saw houses built on McHugh's field in Woodstock Street, Plewman's field on the Kilkenny Road, Dooley's field at Townspark and Holland's field at Geraldine Road. When it came to naming the new housing estates, the then Council showed an independent streak by ignoring the precedents set by the previous Council. Michael Dooley's Terrace was named after Michael Dooley of 41 Duke's Street, the man earlier referred to in this article whose daughters married Eamon Malone and Joe May. His Shop and House in Duke Street was a meeting place for Republicans in the post 1916 period. Whether this was the reason the very last houses built of Athy brick were named after him I cannot say. I am sure some of my readers can perhaps help me on this as the relevant Council Minute Book dealing with Dooley's Terrace cannot be traced.

Minch's Terrace built in what was McHugh's field in Woodstock Street was so named "in recognition of the long and honoured connection of the Minch Family with the Industrial and Commercial life of Athy". So it was recorded in the Minutes of the local Council on the 18th January 1937. In the following month the new houses on the Kilkenny road were officially named Plewman's Terrace "as a slight recognition of the long services which the late Thomas Plewman gave to the benefit of his native town both as Chairman and Member of this Council and in his private capacity". When the time came to name the houses on Holland's site, the Council fell back on the Townland name of Geraldine.

Local private developers in recent years have given extraordinary inappropriate names to their Housing Schemes. These names which have no connection with the ancient place names of the area and less with the Irish countryside give rise to the thought that perhaps the local Urban Council on taking over such estates might consider in conjunction with the local residents giving them names more appropriate for an Irish Town.

All of this by way of measuring my pleasure as the decision to name our most recent housing scheme after a truly great local man who like so many of his colleagues was in danger of been forgotten by the present generation.

Thursday, January 16, 1997

'Missing Friends' from Boston Newspaper 'The Pilot'

Emigration has been a recurring tragedy in Irish family life during the past 200 years. Nowhere is that more evident than in the pages of American newspapers where down the years members of once close-knit Irish families have placed advertisements in an attempt to trace missing parents, brothers or sisters. One such advertisement under the headline "Missing Friends" first appeared in a Boston Newspaper, "The Pilot" on 1st October, 1831. It was placed by the American Emigration Commission in an attempt to find Patrick McDermott, "a native of County Kildare" whose wife and five children had just arrived in Boston. It was the first of thousands of such advertisements placed in the Pilot Newspaper over the next 85 years. The first reference to a person from Athy in these advertisements was in the newspaper of 14th October, 1848 when Robert Browne sought information on Philip Butler of Gormanstown, near Athy who was supposed to be working in a sawmill in Boston. In November of the following year two advertisements appeared relating to Athy persons. The first referred to :-

"Christopher Moore and Mrs. Catherine Cummings, natives of Athy who emigrated to this country, Catherine in 1825 and Christopher in 1831 and landed in Quebec. When last heard of they were in Marshfield Upper, Canada."

Their brother David, then based in Massachusetts was the enquirer. The second request for information came from James Kelly whose mother and family, all from Athy, emigrated to the American Continent in July 1849, landing in Quebec. On 13th August, 1853 Catherine Keyes inserted an advertisement in an attempt to trace her brother "Patrick Keyes, native of Athy who left there 5 years last June - when last heard from he was in New York."

The following April Michael Kirwan of Athy was being sought by his brother Patrick, while in May 1854 The Pilot carried a father's sad plea. He was James Brennan who referred to his

"daughter Elizabeth from Athy, aged 21 years who arrived in New York in December 1853. When she landed I was in Coaticook, Lower Canada, she wrote to me at the time and I sent her some money which she acknowledged. I wrote the following May to her but received no answer."

We were never made aware if father and daughter were ever re-united.

That same year Mrs. Mary Birmingham, then living in Beaver Meadows, Pennsylvania wanted to hear of her son Martin whom she described as :-
"son of Patrick Birmingham and Mary Kelly of Geraldine Athy."


In the same edition of The Pilot, Edward Moore sought information as to the whereabouts of his mother, Mary Moore from Athy "who was last heard of in New York."

June 1855 saw another Athy family featured in an advertisement in The Pilot. John and Edward Corcoran of Athy "who left Ireland about eight years ago and landed in Quebec" were the subject of an advertisement placed by their brother Michael.

The Commissioners for Emigration who had placed the first advertisement in 1831 were acting again in August 1855 on behalf of Mrs. Julia Steacum who had arrived in New York from Athy in December 1854. She had accompanied her husband Matthew and her six children to America, but he soon departed for Cincinnati leaving four of their children in Staten Island Hospital and his wife and one child in Albany. The advertisement continued :-
"Since then nothing has been heard from him, but it has been ascertained that he never reached his destination, hence the worst fears are entertained for his safety. He was 57 years of age with dark hair."

In the following month Mary Birmingham was again seeking information on her son Martin "whom I left with my father in Geraldine, Athy when leaving Ireland about 20 years ago." In the same advertisement enquiries were made of Mary's brother "John Kelly, formerly of Geraldine, Athy."

Just before Christmas 1855 William Bourke placed an advertisement in the Boston Newspaper. He was attempting to make contact with his brother Henry, a baker from Athy, County Kildare "who emigrated to this country about 10 years ago and is supposed to be in Boston or it's vicinity."

The advertisements of 150 years ago make sad reading and give a rare insight into the difficulties of those who took to the Emigrant ships after the earlier departure of family members. How successful the various advertisers were in tracing missing relatives we do not know. The value today of these old newspaper advertisements lies in the information they provide for genealogists and historians on Irish emigrants of the period.

The New England Historic Genealogical Society has published three books of Boston Pilot advertisements under the title "The Search for Friends" covering the years 1831 to 1856. The references in this article are taken from these books which make fascinating if sad reading.

Thursday, January 9, 1997

Athy's Heritage Centre

The Heritage Centre for Athy is a dream soon to be realised. The Fire Station has been moved from the ground floor of the Town Hall, and soon the giant doors which disfigured the rear facade of the building will be a memory. The architectural composition which is Emily Square and to which the Town Hall forms an important backdrop gives Athy a very attractive town centre. The siting there of the Heritage Centre will further enhance the area, as will the building works which are intended to improve the rear of the early 19th century building.

My attention was inevitably drawn to this when contemplating the 21 year old plan to put a new roadway across Emily Square with a bridge between the Courthouse and the Dominican Church. How times have changed in the intervening years. Now that Athy has heritage status and we are all beginning to appreciate the historical and architectural wealth of the Town, it seems inconceivable that we should ever have contemplated such a road plan.

Work on the Heritage Centre should start within weeks and behind the scenes professional historians and amateurs alike are working on the Themes which will be featured in the centre. These will relate the history of the town and place local events in the wider context of Irish history.

The long and varied history of Athy offers great opportunities for exploring the different periods of the Irish past. Athy was originally a small settlement, later a thriving village and now a corporate town, all centred around the River Barrow. Even in pre-settlement times the area was important and many reference to Ath I or the Ford of Ae are to be found.

It is the story of the evolution of the urban settlement on the river which will probably provide the material for at least one early history lesson in the new Heritage Centre. Here the story will start with the Anglo Norman settlement established in the late 12th century around the first wooden fortress or castle which was called Woodstock. French speaking people who had travelled from Wales and earlier from France put up the first buildings in what was to be the future town of Athy. The rise of the two monasteries, on either side of the river, gave the area a status and a permanency which it was never to lose. The Trinitarians are long gone from the area, but the Dominicans who came here in 1253 are still an important element of the town's story. I wonder do we realise the importance of the Dominican link with Athy, one which has lasted for over 700 years despite some enforced interruptions during the 16th and 17th century. The Irish Dominicans in Athy are the living embodiment of our past history, and as such should be cherished by all of us.

The evolving story of the medieval town of Athy is one where battles and wars figure prominently. It was a fortress town, garrisoned to protect the pass or bridge over the river and shield from attack those who lived within the Pale. For that reason Athy was of major strategic importance and figured prominently in all the major events in medieval Irish history. Indeed, its turbulent early and middle history saw the disruption of the Monasteries, siege and counter siege and destruction by fire before it was to emerge into the relative peace and prosperity of the 18th century.

Before then the town had received corporate status, first from King Henry VIII (he of the many wives) and later from King James. This gave an opportunity for development and growth, but the continuing wars of the 16th and 17th century restricted this opportunity and so the town grew very slowly. In 1650 Athy was a village of about 100 houses or so with a population of about 600. It had changed little over the previous 100 years. The town walls destroyed during the Confederate wars of the 1640's were never to be replaced. More importantly, the abandonment of these medieval constraints to the outward spread of the village proved to be an important factor in the future development of the town. The relative calm and stability of the 18th century provided the stimulus for growth which was to be a feature of life in Athy during that century. Commercial activity rather than manufacture provided the basis for Athy's early development. As a market centre with a large agricultural hinterland the village was ideally located to benefit from road improvements in the first half of the 18th century. In common with all other settlements of the 18th century Athy had a Manor Mill where the locals were required to grind their corn and wheat. As a town owing it's patronage to the Duke of Leinster, it was not unusual to find in Athy Leases, even into the last century, the stipulation that local tenants should "grind all such wheat, oats, malt and other grain at the Manor Mill of Athy and pay the accustomed toll for grinding." It is also the 18th century which was to give Athy it's unique religious diversity and as we look at the present day town we see four of those religious groups each represented by a Church on one of the four corners of Athy.

The late 18th century story of the town will be taken up with the coming of the Grand Canal in 1791 and the horrific events surrounding the 1798 Rebellion. The Canal came to Athy, perhaps too late to save the thriving brewing, distilling and tanyard industries which were to be found in Athy 200 years ago. Around the basin of the newly arrived Canal buildings were soon erected, including milling stores which are still standing today. The story of the 1798 Rebellion is one of brutal and systematic suppression of the townspeople. It was precisely that brutality and suppression exercised on the local community by the garrison and local yeomanry groups which quickly dispelled any revolutionary tendencies the townspeople once held. This and the later history of Athy will come alive in audio and visual presentations in what was once the town's Butter Market. I hope the Heritage Centre will be the first of many new enterprises which will develop and flourish in the town of Athy.

Thursday, January 2, 1997

Johnny Doran, 'Bocky' Cash, Felix Doran

Making connections is the life blood of every historian. Everything read and observed is seen against the backdrop of a particular place or event, all the time bringing into sharper focus the people and events already known but not necessarily understood.

I am reminded of this as I sit at my desk penning these lines while listening to the uileann piping of Johnny Doran. Johnny, regarded as one of the great uileann pipers, died at the young age of 42 in the County Home, Athy on 19th January, 1950. A married man and a member of the travelling community his Grandmother was a daughter of the famous piper John Cash, known far and wide as "Cash the Piper". A native of County Wexford where he was born in 1832, Cash married at a young age "Polly" Connors. He combined the trade of tinsmith with that of horse dealer, but it was for his long career as piper that he is recalled today. John Cash died in 1909, some 19 years after the death of his own son James, also a noted piper and commonly referred to as "Young Cash".

This then was the background to the music making skills of Johnny Doran, the man who died in Athy 46 years ago. In the early 1930's Doran travelled around the country in his horsedrawn caravan, playing his pipes at fairs, football matches and whenever crowds gathered to enjoy themselves. He was a well recognised feature at all the popular midland venues of the 1930's and 1940's, even if those who listened to and enjoyed his music did not know his name. In those early days he was usually accompanied by his bother, Felix Doran who also became a well known piper in his own right.

During the cold winter of 1947 Johnny Doran with his wife and children lived in their caravan on a derelict site at Back Lane, opposite Christ Church Cathedral in Dublin. Sean McBride, leader of the new political party Clann na Poblachta having heard Johnny play his uileann pipes on the street, invited him to play at a rally in College Green some days before the General Election of 1947. Before he could do so however, Johnny suffered serious injuries when a portion of the derelict wall at Back Lane fell onto his caravan. Johnny was crippled from the waist down and was never to regain the use of his legs. Undaunted, he set off the following year travelling through County Kildare where some of his relatives lived, but his deteriorating health saw him admitted to the County Home in Athy on 27th October. He remained there throughout the winter, but passed away on 19th January 1950.

I was reminded of Johnny Doran and "Cash the Piper" as I was attending the funeral of a neighbour last week. "Becky" Cash grew up in the same street as myself, although there was quite a few years between us. Her late brothers Miley and Danny were pals of mine in Offaly Street, and they were all direct descendants of the legendary piper John Cash and cousins of Johnny Doran. Horse dealing had been carried on for generations by the Cash family and Bill Cash who with his family was to settle in Offaly Street in the early 1950's was a skilful and knowledgable horseman. This of course meant that horses were always to be found in the stables which Bill had made out of what was once Birney's Dairy Parlour in Janeville Lane. It was here, despite my parents' entreaties not to have anything to do with the horses, that myself and Teddy Kelly and others were sometimes to be found with Miley and Danny Cash. Miley was to die very young and his brother Danny died some years ago, long before reaching middle age. It would seem that the piping skills of "Cash the Piper" and "Young Cash" had not been passed on down the line through the Cash family as I can never recall the haunting music of the uileann pipes around Janeville Lane. Instead, Bill Cash of Janeville Lane and later of Offaly Street, had his legendary horse trading skills and wonderful storytelling ability which he was wont to embellish and always to good effect.

Here then were some of the connections made as I stood in the cold of a January morning in Barrowhouse Graveyard while the young girl remembered from Offaly Street, now a mother, was laid to rest. Familiar faces came to me out of the memories of over 35 years ago. I was approached by one whose youthful face was untouched by the years, and who grasping my hand reminded me of days spent in Janeville Lane amongst the horses and the dealers who came to trade with the acknowledged king of horse dealers, Bill Cash. He was Tom Cash who had lived in Athy as a young lad, reared among Mr. and Mrs. Cashs' own children. We re-lived young carefree days spent free of our parents' cautious ways amongst the restless hooves of horses destined to soon pass on into other hands.

It seems that making connections is not solely the prerogative of the historians. We all relive times past when that past presents itself, even it is only for a passing moment. The connections we make can sometimes go deeper than our own experiences as here where many generations of past pipers came into focus with the passing of a neighbour.

"Cash the Piper", "Young Cash", Johnny Doran and Felix Doran inhabited a world of traditional music which older generations were privileged to hear and enjoy. The Cash tradition of uileann piping is no longer with us, except on the limited but treasured recordings of Johnny Doran and that of his brother Felix.

Johnny Doran, 'Bocky' Cash, Felix Doran

Making connections is the life blood of every historian. Everything read and observed is seen against the backdrop of a particular place or event, all the time bringing into sharper focus the people and events already known but not necessarily understood.

I am reminded of this as I sit at my desk penning these lines while listening to the uileann piping of Johnny Doran. Johnny, regarded as one of the great uileann pipers, died at the young age of 42 in the County Home, Athy on 19th January, 1950. A married man and a member of the travelling community his Grandmother was a daughter of the famous piper John Cash, known far and wide as "Cash the Piper". A native of County Wexford where he was born in 1832, Cash married at a young age "Polly" Connors. He combined the trade of tinsmith with that of horse dealer, but it was for his long career as piper that he is recalled today. John Cash died in 1909, some 19 years after the death of his own son James, also a noted piper and commonly referred to as "Young Cash".

This then was the background to the music making skills of Johnny Doran, the man who died in Athy 46 years ago. In the early 1930's Doran travelled around the country in his horsedrawn caravan, playing his pipes at fairs, football matches and whenever crowds gathered to enjoy themselves. He was a well recognised feature at all the popular midland venues of the 1930's and 1940's, even if those who listened to and enjoyed his music did not know his name. In those early days he was usually accompanied by his bother, Felix Doran who also became a well known piper in his own right.

During the cold winter of 1947 Johnny Doran with his wife and children lived in their caravan on a derelict site at Back Lane, opposite Christ Church Cathedral in Dublin. Sean McBride, leader of the new political party Clann na Poblachta having heard Johnny play his uileann pipes on the street, invited him to play at a rally in College Green some days before the General Election of 1947. Before he could do so however, Johnny suffered serious injuries when a portion of the derelict wall at Back Lane fell onto his caravan. Johnny was crippled from the waist down and was never to regain the use of his legs. Undaunted, he set off the following year travelling through County Kildare where some of his relatives lived, but his deteriorating health saw him admitted to the County Home in Athy on 27th October. He remained there throughout the winter, but passed away on 19th January 1950.

I was reminded of Johnny Doran and "Cash the Piper" as I was attending the funeral of a neighbour last week. "Becky" Cash grew up in the same street as myself, although there was quite a few years between us. Her late brothers Miley and Danny were pals of mine in Offaly Street, and they were all direct descendants of the legendary piper John Cash and cousins of Johnny Doran. Horse dealing had been carried on for generations by the Cash family and Bill Cash who with his family was to settle in Offaly Street in the early 1950's was a skilful and knowledgable horseman. This of course meant that horses were always to be found in the stables which Bill had made out of what was once Birney's Dairy Parlour in Janeville Lane. It was here, despite my parents' entreaties not to have anything to do with the horses, that myself and Teddy Kelly and others were sometimes to be found with Miley and Danny Cash. Miley was to die very young and his brother Danny died some years ago, long before reaching middle age. It would seem that the piping skills of "Cash the Piper" and "Young Cash" had not been passed on down the line through the Cash family as I can never recall the haunting music of the uileann pipes around Janeville Lane. Instead, Bill Cash of Janeville Lane and later of Offaly Street, had his legendary horse trading skills and wonderful storytelling ability which he was wont to embellish and always to good effect.

Here then were some of the connections made as I stood in the cold of a January morning in Barrowhouse Graveyard while the young girl remembered from Offaly Street, now a mother, was laid to rest. Familiar faces came to me out of the memories of over 35 years ago. I was approached by one whose youthful face was untouched by the years, and who grasping my hand reminded me of days spent in Janeville Lane amongst the horses and the dealers who came to trade with the acknowledged king of horse dealers, Bill Cash. He was Tom Cash who had lived in Athy as a young lad, reared among Mr. and Mrs. Cashs' own children. We re-lived young carefree days spent free of our parents' cautious ways amongst the restless hooves of horses destined to soon pass on into other hands.

It seems that making connections is not solely the prerogative of the historians. We all relive times past when that past presents itself, even it is only for a passing moment. The connections we make can sometimes go deeper than our own experiences as here where many generations of past pipers came into focus with the passing of a neighbour.

"Cash the Piper", "Young Cash", Johnny Doran and Felix Doran inhabited a world of traditional music which older generations were privileged to hear and enjoy. The Cash tradition of uileann piping is no longer with us, except on the limited but treasured recordings of Johnny Doran and that of his brother Felix.